Human Evolution
The story of human evolution stretches back over six million years. It is not the story of one species but of several diverse species, some of whom walked the Earth at the same time. From the earliest hominids to the early Homo sapiens, there was nothing inevitable about the course of human evolution.
But what conditions created the opportunity for diverse human species to thrive? What environmental factors led to the survival of one human species, but contributed to the extinction of so many others? What can the fossil record and the science of genetics tell us about our ancestors? How does the brain make modern man so unique in the natural world?
Catherine the Great of Russia In Moscow's Tretyakov Gallery hangs perhaps the most well-known picture of Russia's most well-known ruler. Dimitri Levitsky's 1780 'Portrait of Catherine the Great in the Justice Temple' depicts Catherine in the temple burning poppies at an altar, symbolising her sacrifice of self-interest for Russia. Law books and the scales of justice are at her feet, highlighting her respectful promotion of the rule of law. But menacingly, in the background an eagle crouches, suggesting the means to use brutal power where necessary. This was one of many images that Catherine commissioned that demonstrated her skill at manipulation and reinvention.
For an obscure, small town, German princess her ambition was large - the transformation of a semi-barbaric country into a model of the ideals of the French 18th century Enlightenment. How far was Catherine able to lead her country into full participation in the political and cultural life of Europe? Was she able to liberate the serfs? And should she be remembered as Russia's most civilised ruler or a megalomaniacal despot?
The Siege Of Constantinople
When Sultan Mehmet the Second rode into the city of Constantinople on a white horse in 1453, it marked the end of a thousand years of the Byzantine Empire. After holding out for 53 days, the city had fallen. And as one contemporary witness described it: “The blood flowed in the city like rainwater in the gutters after a sudden storm”. It was the end of the classical world and the crowning of an Ottoman Empire that would last until 1922.
Constantinople was a city worth fighting for – its position as a bridge between Europe and Asia and its triangular shape with a deep water port made it ideal both for trade and defence. It was also rumoured to harbour great wealth. Whoever conquered it would reap rewards both material and political.
Earlier attempts to capture the city had largely failed – so why did the Ottomans succeed this time? What difference did the advances in weaponry such as cannons make in the outcome of the battle? And what effect did the fall of Constantinople have on the rest of the Christian world?
The History Of Hell
A fiery vault beneath the earth or as Sartre put it, other people - it seems our ideas of hell are inevitably shaped by religious and cultural forces. For Homer and Virgil it’s a place you can visit and return from, often a wiser person for it. With Christianity it’s a one way journey and a just punishment for a sinful, unrepentant life.
Writers and painters like Dante and Hieronymus Bosch gave free rein to their imaginations, depicting a complex hierarchical world filled with the writhing bodies of tormented sinners. In the 20th century hell can be found on earth in portrayals of war and the Holocaust but also in the mind, particularly in the works of TS Eliot and Primo Levi.
So what is the purpose of hell and why is it found mainly in religions concerned with salvation? Why has hell proved so inspirational for artists through the ages, perhaps more so than heaven? And why do some ideas of hell require a Satan figure while others don't?
The Great Exhibition
'Its grandeur does not consist in one thing, but in the unique assemblage of all things. Whatever human industry has created you find there. It seems as if only magic could have gathered this mass of wealth from all the ends of the earth.' So wrote Charlotte Bronte in 1851 after visiting the Great Exhibition set in the vast Crystal Palace in London's Hyde Park.
By the time the exhibition closed, one quarter of the entire British population had visited Crystal Palace, the first pre-fabricated building of its kind, to marvel at an extraordinary array of exhibits amongst which were: the biggest diamond in the world, a carriage drawn by kites, furniture made of coal, and a set of artificial teeth fitted with a swivel devise which allowed the user to yawn without displacing them.
Its impact was huge in terms of the development of British manufacturing, the burgeoning of a global consumer market, the development of museums and the international standing of Britain culturally and technologically.
How did the Exhibition crystallise a particular moment in early Victorian Britain? In what way did it capitalise on the dawn of mass travel and greater levels of international co-operation? How did fears of revolutionary Europe define the policing and organisation of the event? And how far, if at all, did the Great Exhibition go in blurring class distinctions?
![Catherine the Great of Russia [History; Advanced Listening; mp3]](http://englishtips.org/uploads/old/posts/thumbs/1178575287_levitsky_17037.jpg)
