Stanford Encyclopedia of Philosophy The combination of features exhibited by the SEP publishing model distinguishes it from other attempts to build scholarly resources on the web. Our open access model has the following features: (1) a password-protected web interface for authors, which allows them to download entry templates, submit private drafts for review, and remotely edit/update their entries; (2) a password-protected web interface for the subject editors, which allows them to add new topics, commission new entries, referee unpublished entries and updates (updates can be displayed with the original and updated versions side-by-side with the differences highlighted) and accept/reject entries and revisions; (3) a secure web server for the principal editor, by which the entire collaborative process can be managed with a very small staff (the principal editor can add people, add entries, assign entries to editors, issue invitations, track deadlines, publish entries and updates, etc.); (4) a tracking system which logs the actions taken at the web interfaces, monitors the state of every entry, determines who owes work and when, automatically sends occasional, friendly email reminders, and provides a summary to the principal editor; (5) software which dynamically cross-references the SEP when new entries are published, and which periodically checks for broken links throughout the content; (6) software which automatically creates an archive every quarter, providing the proper basis for scholarly citation; and (7) mirror sites at universities in other parts of the world, which provide faster access to readers worldwide, provide access when the Stanford server is down for maintenance, and safeguard the digital content as extra backups. The SEP's publishing model therefore has the ability to deliver, with very low administrative and production costs, quality content meeting the highest of academic standards via a medium that is universally accessible.
This is a comprehensive dictionary with the most common collocations for each important word including adjectives, adverbs, verbs, etc.
We are happy to present you a highly useful book 'The Dictionary of Collocations' by unidintified author. If you happen to recognize the author's name and other book particulars, please let the Admin know about it. The author of the book is identified
E-Grosswoerterbuch on CD-ROM of Muret Sanders English - German &
German - English, ideal for professionals, teachers and translators, who
look for a particularly large dictionary on CD-ROM, with altogether
approximately 410,000 references and idioms, over 770.000 translations,
free on-line actualization of dictionary contents by Download from the
Internet, recognizing multi-word terms, idioms and altogether far over
one million of bent word forms (nouns, adjectives, verbs etc.).
The largest bilingual dictionary in the world offers comprehensive coverage of many technical fields, including economics, electronics, science, space travel, sports, and more. Essential for professional translators and reference libraries.
VerbAce 2007: Arabic-English-Arabic Concise Dictionary. About VerbAce: VerbAce is a translation software with a concise Arabic-English-Arabic dictionary with over 45,000 English entries and 66,000 Arabic entries. The easy-to-use one-click user interface allows a quick translation of any text word.
Requirements:
VerbAce runs on Windows XP, 2000, and NT 5.0.
Over the last two decades the historical focus has shifted from viewing events in a simple historical context to a more integrative perspective. This set offers a multidimensional picture of primarily Western civilization, covering
Ancient Egypt (2675-332 B.C.E.),
Ancient Greece and Rome (1200 B.C.E.-476 C.E.),
Medieval Europe (814-1450 C.E.),
Renaissance Europe (1300-1600 C.E.), and
The Age of the Baroque and Enlightenment (1600-1800 C.E.). Similar in organization to Gale's American Eras and World Eras lines, the work exposes readers to each historical period through the study of nine different arts and humanities topics: "Architecture and Design," "Dance," "Fashion," "Literature," "Music," "Philosophy," "Religion," "Theater," and "Visual Arts." Each topic area is treated in a different chapter, but the connections between topics are highlighted both in the text and through cross-referencing. The result is a broader and more inclusive picture of the culture of each period, emphasizing connections between, for example, religion, dance, and literature or between the visual arts and architecture...
