Ernest Hemingway. The Old Man and the Sea. e-book in different formats
Short novel by Ernest Hemingway, published in 1952 and awarded the 1953 Pulitzer Prize for fiction. Completed after a 10-year literary drought, it was his last major work of fiction. The novel is written in Hemingway's characteristically spare prose. It concerns an old Cuban fisherman named Santiago who finally catches a magnificent fish after weeks of not catching anything. After three days of playing the fish, he finally manages to reel it in and lash it to his boat, only to have sharks eat it as he returns to the harbor. The other fishermen marvel at the size of the skeleton; Santiago is spent but triumphant.
Added by: simonaro29 | Karma: 62.32 | Fiction literature | 2 August 2007
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Time Traders by Andre Norton
Intelligence agents have uncovered something which seems beyond belief, but the evidence is incontrovertible: the USA's greatest adversary on the world stage is sending its agents back through time! And someone or something unknown to our history is presenting them with technologies—and weapons—far beyond our most advanced science. We have only one option: create time-transfer technology ourselves, find the opposition's ancient source . . . and
take it down.
When small-time criminal Ross Murdock and Apache rancher Travis Fox stumble separately onto America's secret time travel project, Operation Retrograde, they are faced with a challenge greater than either could have imagined possible. Their mere presence means that they know too much to go free. But Murdock and Fox have a thirst for adventure, and Operation Retrograde offers that in spades.
Both men will become time agents, finding reserves of inner heroism they had never expected. Their journeys will take the battle to the enemy, from ancient Britain to prehistoric America, and finally to the farthest reaches of interstellar space. . . .
In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database.
Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.
Andre Norton-Grand Mistress of science fiction-presents a grand tapestry of the far-flung interstellar future, in which the first starships from Earth have burst out into the universe . . . only to run straight into the restraining grasp of the stagnant alien federation known as Central Control.
Only as interstellar mercenaries can humans go to the stars; the aliens who already dominate the galaxy allow no other recourse.
The starship crew was stuck on a planet where the well-meaning schemes of ivory tower social engineers had created a nightmare of battling gangs. So they pretended to be the "Royal Legions" from a distant star kingdom in hot pursuit of an unspeakably evil and nearly all-powerful villain who was hiding somewhere on the planet.
Things went even better than they had hoped, and the planet was rapidly becoming civilized . . . and then the
real Royal Flagship showed up. They thought they were doomed, but instead the new arrivals (who also weren't quite what they claimed to be) thought the crew had shown just the sort of initiative and ingenuity that the Interstellar Patrol was looking for. So they were inducted into the Patrol.
