This book examines intersections of poetry and performance during the British Poetry Revival. Its investigations are centered on four specific performance events: The First International Poetry Incarnation at the Royal Albert Hall in 1965; Denise Riley’s first public reading at the Cambridge Poetry Festival in 1977; Eric Mottram’s Pollock Record; and Allen Fisher’s Blood Bone Brain.

This book is essential reading for poetry and performance enthusiasts, particularly those interested in innovative British Poetry.

This cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field.
The Routledge Companion to Comics expertly organizes representative work from a range of disciplines, including media and cultural studies, literature, philosophy, and linguistics. More than an introduction to the study of comics, this book will serve as a crucial reference for anyone interested in pursuing research in the area, guiding students, scholars, and comics fans alike.

Some of the most celebrated passages of Old English poetry are speeches: Beowulf and Unferth's verbal contest, Hrothgar's words of advice, Satan's laments, Juliana's words of defiance, etc. Yet Direct Speech, as a stylistic device, has remained largely under-examined and under-theorized in studies of the corpus. As a consequence, many analyses are unduly influenced by anachronistic conceptions of Direct Speech, leading to problematic interpretations, not least concerning irony and implicit characterisation. This book uses linguistic theories to reassess the role of Direct Speech in Old English narrative poetry.

First published in 1972, this work examines the complex concept of metaphor. It defines the term by placing the various key ideas about the nature of metaphor in their literary and social context, and in doing so, it traces the developing history of the concept. This account has considerable range, beginning with Aristotle and ending with the work of modern linguist and anthropologists.

In this Very Short Introduction, Peter Hainsworth and David Robey examine Italian literature from the Middle Ages to the present day, looking at themes and issues which have recurred throughout its history. The authors illuminate such topics as regional identities, political disunity, and the role of the national language and they cover a wide range of authors and works, including Dante, Petrarch, Manzoni, Montale, and Calvino.