Added by: avrodavies | Karma: 1114.24 | Other | 3 April 2015
7
This book teaches students that essential historical literacy, providing a full overview of how changes in the ownership, emphasis, and technologies of journalism in Britain have been motivated by social, economic, and cultural shifts among readerships and markets. Covering journalism’s enduring questions – political coverage, the influence of advertising, the sensationalization of news coverage, the popular market and the economic motives of the owners of newspapers – this book is a comprehensive, articulate, and rich account of how the mediascape of modern Britain has been shaped.
As the UK’s best selling military history title, Britain at War is dedicated in exploring every aspect of Britain’s involvement in conflicts from the turn of the 20th century through to modern day. From World War I to the Falklands, World War II to Iraq, readers are able to relive decisive moments in Britain’s history through fascinating insight combined with rare and previously unseen photography.
England, 1154. As Henry II seizes the throne after years of turmoil, a new dynasty is poised to haul this hitherto turbulent nation out from the Dark Ages and transform it into the nation state we recognize today. Featuring some of England's greatest but also most notorious kings, the house of Plantagenet would reign for over 300 blood-soaked, yet foundational, years.
As the UK’s best selling military history title, Britain at War is dedicated in exploring every aspect of Britain’s involvement in conflicts from the turn of the 20th century through to modern day. From World War I to the Falklands, World War II to Iraq, readers are able to relive decisive moments in Britain’s history through fascinating insight combined with rare and previously unseen photography.
Added by: alzoar | Karma: 1152.51 | Other | 25 February 2015
7
Richard Bean’s fast and furious new play is an anarchic and foul-mouthed satire about the press, police and political establishment. An ambitious tabloid editor has little time for rules, while her proprietor relentlessly uses political influence to further his business and media interests. Great Britain enjoyed a sold-out 2014 run at the National Theatre before transferring to the West End.