This book investigates who Lady Godiva was, how the story of her naked horseback ride through Coventry arose, and how the whole Godiva legend has evolved from the thirteenth century through to the present day.
While obviously intended as a book for students (the editor, Benjamin A. Heydrick, of the "High School of Commerce, New York City," edited this book "for school use"), the majority of the stories still entertain a full century after their original publications.
The seventeenth century saw dramatic advances in mathematical theory and practice. With the recovery of many of the classical Greek mathematical texts, new techniques were introduced, and within 100 years, the rules of analytic geometry, geometry of indivisibles, arithmetic of infinites, and calculus were developed. Although many technical studies have been devoted to these innovations, Mancosu provides the first comprehensive account of the relationship between mathematical advances of the seventeenth century and the philosophy of mathematics of the period. Starting with the Renaissance debates on the certainty of mathematics, Mancosu leads the reader through the foundational issues raised by the emergence of these new mathematical techniques, including the influence of the Aristotelian conception of science in Cavalieri and Guldin, the foundational relevance of Descartes' Geometrie, the relation between geometrical and epistemological theories of the infinite, and the Leibnizian calculus and the opposition to infinitesimalist procedures. In the process Mancosu draws a sophisticated picture of the subtle dependencies between technical development and philosophical reflection in seventeenth century mathematics.
This volume is a guide to medieval German literature from its beginnings in the eighth century to the fourteenth century. It will escort the motivated student and colleague with interest in the European Middle Ages but no expertise in older German languages. The chapter authors, all internationally-known scholars, were given the freedom to arrange their chapters as they felt most appropriate, including the question of the terminus ad quem. Chapters deal either with a chronological period, e.g. 13th century, or with specific genres, eg. drama.
