Added by: susan6th | Karma: 3133.45 | Fiction literature | 21 October 2010
1
A Stitch in Crime
The way Molly's relationships between her and Mason, and her and Barry, are developing. Her dealings with her sister (and fellow) crocheters/Hookers are deepening as well and in the most satisfying ways. Of course there is the mystery to play out, and it is fairly and intricately constructed and resolved. The wit of Molly is ever present. There is also no way I can read one of Betty's books without wanting to enjoy the goodies she includes the recipes for at the end of the book. A really fun ride.
Murder turns a weekend house party at Black Dudley Manor into a deadly affair when the host is discovered brutally slain. Nor do gruesome rituals, callous interrogations, and perilous traps add to the fun. Fatal mystification might win the day, if Albert Campion were not there to sift through the motives and clues as with brilliant detection and his signature charm he penetrates the heart of the crime.
Billy Clyde Puckett, former New York Giant football god and later television announcer, as general manager and part-owner of a new NFL team, the West Texas Tornadoes. His old drinking partner-in-crime and favorite receiver, Shake Tiller, has written a bestselling book, The Average Man's History of the World, and his nearly perfect wife,
October arrives in Moose County on the heels of a long drought, and the citizens of Pickax worry about wildfires. Their fears are realised in an unexpected manner, with a case of arson - and the shooting of a volunteer fire-watcher as he is reporting the blaze. The crime wave continues as the president of the curling club is pushed to his death down a flight of stairs, and it's up to Qwilleran and Co. to sniff out the rat who is responsible for it all.
In addition to covering the "detective" fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, this collection of British and American crime fiction considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. Ranging over the last three centuries, it includes chapters on the analysis of crime in eighteenth-century literature; French and Victorian fiction; women and black detectives; crime on film and TV; and police fiction and postmodernist uses of the detective form.
