Robert Graves, classicist, poet and unorthodox critic, retells the Greek legends of gods and heroes for a modern audience.
He demonstrates with a dazzling display of relevant knowledge that Greek mythology is 'no more mysterious in content than are modern election cartoons'.
All the scattered elements of each myth are assembled into a harmonious narrative, and many variants are recorded which may help to determine its ritual or historical meaning. Full indexes and references to the classical sources make the book as valuable to the scholar as the general reader.

This innovative new textbook seeks to provide undergraduate students of international relations with valuable and relevant historical context, bridging the gap and offering a genuinely interdisciplinary approach. Each chapter integrates both historical analysis and literature and applies this to an international relations context in an accessible fashion, allowing students to understand the historical context in which these core issues have developed.

The volume brings together seventeen peer-reviewed, revised papers originally presented at the 16th International Conference on English Historical Linguistics (ICEHL 16), held in August 2010 at the University of Pécs, Hungary. This selection aims to show how theoretical and empirical approaches can be combined in the historical investigation of the English language, what insights and exact information can be obtained about language change in the history of English with the help of tools like historical corpora or with inter- and transdisciplinary methods.

This book unravels the how and why of advertising and places the industry in its social, political and historical context.

Volume III of The  History of Historical Writing contains essays by leading scholars on the writing of history globally during the early modern era, from 1400 to 1800. The volume proceeds in geographic order from east to west, beginning in Asia and ending in the Americas. It aims at once to provide a selective but authoritative survey of the field and, where opportunity allows, to provoke cross-cultural comparisons. This is the third of five volumes in a series that explores representations of the past from the beginning of writing to the present day, and from all over the world.