Poetry, consciousness and community (Consciousness Literature and the Arts)
The series entitled “Consciousness, Literature and the Arts” is a scholarly line of books consisting of monographs (and thematic collections of articles), in the English language, dealing with a wide variety of areas, problems, and applications within the broad field of consciousness studies in relation to literature and the arts with all their sub-genres.
An allegory composed of three parts, the "Inferno, Purgatorio, and "Paradiso, Dante's "The Divine Comedy remains one of the greatest works in classic literature
Tennessee Williams (Bloom's Modern Critical Views)
Tennessee Williams is recognized as one of America's greatest dramatists, and as an innovator of post-World War II theater. He looked for a mechanism for portraying the truth in theater at a time when traditional approaches no longer worked. Bold with form as well as subject matter, Williams confronted audiences with what had been taboo topics - sexuality, societal constraints, alcoholism, and brutality. His notable contributions to literature include "The Glass Menagerie", "Cat on a Hot Tin Roof", and "A Streetcar Named Desire".
Victorian Britain offered to the globe an economic structure of unique complexity. The trading nation, at the heart of a great empire, developed the practices of advanced capitalism - currency, banking, investment, money markets, business practices and theory, intellectual property legislation - from which the financial systems of the contemporary world emerged. Cultural forms in Victorian Britain transacted with high capitalism in a variety of ways but literary critics interested in economics have traditionally been preoccupied either with writers' hostility to industrial capitalism in terms of its shaping of class, or with the development of consumerism.
Race and Ethnicity in Anglo-Saxon Literature - Culture, Identity and Representation
What makes English literature English? This question inspires Stephen Harris's wide-ranging study of Old English literature. From Bede in the eighth century to Geoffrey of Monmouth in the twelfth, Harris explores the intersections of race and literature before the rise of imagined communities. Harris examines possible configurations of communities, illustrating dominant literary metaphors of race from Old English to its nineteenth-century critical reception.
