Past midnight, Chyna Shepard, twenty-six, gazes out a moonlit window, unable to sleep on her first night in the Napa Valley home of her best friend’s family. Instinct proves reliable. A murderous sociopath, Edgler Foreman Vess, has entered the house, intent on killing everyone inside. A self-proclaimed “homicidal adventurer,” Vess lives only to satisfy all appetites as they arise, to immerse himself in sensation, to live without fear, remorse or limits, to live with intensity. Chyna is trapped in his deadly orbit.
Ann Patchett and Lucy Grealy met in college in 1981, and after enrolling in the Iowa Writer's Workshop began a friendship that would be as defining to both of their lives as their work. In her critically acclaimed memoir, Autobiography of a Face, Lucy Grealy wrote about the first half of her life. In Truth & Beauty, the story isn't Lucy's life or Ann's life but the parts of their lives they shared together. This is a portrait of unwavering commitment that spans 20 years, from the long cold winters of the Midwest to surgical wards to book parties in New York.
Added by: flame333 | Karma: 381.35 | Fiction literature | 23 February 2012
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In this jaw-dropping sequel to the mega-hit Merlin's Dragon, T. A. Barron sends Merlin, Rhia, and Basil, the greatest dragon ever, on a mission across Avalon to root out this new enemy. But sacrifices will be made, relationships will be tested, and precious lives will be lost.
British or American English?: A Handbook of Word and Grammar Patterns
Added by: deception | Karma: 319.20 | Black Hole | 19 February 2012
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British or American English?: A Handbook of Word and Grammar Patterns
Speakers of British and American English display some striking differences in their use of grammar. In this detailed survey, John Algeo considers questions such as: ?Who lives on a street, and who lives in a street? ?Who takes a bath, and who has a bath? ?Who says Neither do I, and who says Nor do I?
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What is death and why does it matter to us? How should the knowledge of our finitude affect the living of our lives and what are the virtues suitable to mortal beings? Does death destroy the meaningfulness of lives, or would lives that never ended be eternally and absurdly tedious? Should we reconcile ourselves to the fact of our forthcoming death, or refuse to "go gently into that good night"?
