Kennedy, a longtime British music critic and author, has updated and expanded his 1985 Dictionary of Music with more than 1,000 new entries plus revisions (in many cases major) to about four-fifths of the original 11,000 entries. Entries define and identify all facets of music from titles of individual works to performers, orchestras, musical forms, instruments, and composers. Identifications can be as short as one line (moll) or as long as four pages (Mozart). Much mention is made of debuts in various places and of first performances; almost no note is made of personal lives apart from music.
Peter Wiliams approaches afresh the life and music of arguably the most studied of all composers, interpreting both Bach’s life by deconstructing his original Obituary in the light of new information, and his music by evaluating his priorities and irrepressible creative energy. How, though belonging to musical families on both his parents’ sides, did he come to possess so bewitching a sense of rhythm and melody, and a mastery of harmony that established nothing less than a norm in western culture?
Added by: badaboom | Karma: 5366.29 | Fiction literature | 6 October 2010
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Music of a Life
Makine (Dreams of My Russian Summers) is a Russian emigre who writes in the language of his adopted France, but retains a poetic intensity of vision that seems peculiarly Russian. His latest is an extraordinarily compressed brief novel, but it is a novel not a novella in scope nonetheless. It begins as the narrator, waiting for a train to Moscow somewhere in the wilds of Siberia, meets a mysterious musician, Alexe Berg, and is told his somber life story. Berg, a son of the intelligentsia growing up in the Stalin-shadowed '30s, is about to make his debut as a concert pianist, in 1940, when his parents are arrested, and he barely escapes, taking refuge with relatives in the Ukraine.
Music in Chopin's Warsaw examines the rich musical environment of Fryderyk Chopin's youth--largely unknown to the English-speaking world--and places Chopin's early works in the context of this milieu. Halina Goldberg provides a historiographic perspective that allows a new and better understanding of Poland's cultural and musical circumstances.
This classic in music biography and criticism reflects the intimate, thorough knowledge of Chopin’s music Huneker acquired while studying to be a concert pianist and his unusually keen insight into the character of the composer. Part One deals with Chopin’s life; the second offers brilliant piece-by-piece analysis of the entire body of his music. Introduction and notes.
