Added by: aresye | Karma: 28.05 | Black Hole | 22 March 2011
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Shakespeare: A Critical Study of his Mind and Art
Dowden's critical study of 1875 approaches Shakespeare from the human side, showing how Shakespeare the man is visible through his art. Moving from Shakespeare's early plays to his late period, and grouping the plays according to key stages in his career, the book traces the growth of Shakespeare's intellect and character from youth to full maturity.
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The Oxford Shakespeare: The Complete Works 2nd Edition
Hailed by The Washington Post as "a definitive synthesis of the best editions" and by The Times of London as "a monument to Shakespearean scholarship," Shakespeare: The Complete Works is the ultimate anthology of the Bard's work: the most authoritative edition of the plays and poems ever published. Now, almost two decades after the original volume, the publisher is proud to announce a thoroughly updated second edition, including for the first time the texts of The Reign of Edward III and Sir Thomas More, recognizing these two plays officially as authentic works by Shakespeare. This beautiful collection is the product of years of full-time research ...
Katie Normington's work examines how the "public" image of women during the fifteenth century (her time frame is 1376-1576) shaped--as well as was shaped by--religious and civic plays, parades, and processions.
This volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters.
Drugs and Theater asks why Shakespeare and his contemporary playwrights were so preoccupied with drugs and poisons and, at a deeper level, why both critics and supporters of the theater, as well as playwrights themselves, so frequently adopted a chemical vocabulary to describe the effects of the theater on audiences. Drawing upon original medical and literary research, Pollard shows that the potency of the link between drugs and plays in the period demonstrates a model of drama radically different than our own, a model in which plays exert a powerful impact on spectators' bodies as well as minds.
