Week after week, The New Yorker keeps its reader current. Subscribe now and don't miss the New Yorker's famous fiction and poetry, book and film review, its incisive looks at politics, people and the way we live, and of course, those CARTOONS. In-depth reporting, surprising opinions, sharp wit, the best in prose, poetry, and the visual arts.
The Poetry Center, John Timpane, Maureen Watts, "Poetry For Dummies" Sometimes it seems like there are as many definitions of poetry as there are poems. Coleridge defined poetry as the best words in the best order. St. Augustine called it the Devil’s wine. For Shelley, poetry was the record of the best and happiest moments of the happiest and best minds. But no matter how you define it, poetry has exercised a hold upon the hearts and minds of people for more than five millennia.
The All-Sustaining Air: Romantic Legacies and Renewals in British, American, and Irish Poetry since 1900
Drawn from Shelley's Prometheus Unbound, the title of this book suggests the cultural and literary persistence of the Romantic in the work of many British, American, and Irish poets since 1900. Allowing for and celebrating the multiple, even fractured nature of Romantic legacies, Michael O'Neill focuses on the creative impact of Romantic poetry on twentieth- and twenty-first century poetry.