Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. Set in the varied landscapes of Spain, Africa, and the American Midwest, this definitive audio collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style -- from the plain bald language of his first story to his mastery of seamless prose that contained a spare, eloquent pathos, as well as a sense of expansive solitude. These stories showcase the singular talent of a master, the most important American writer of the twentieth century.
What was Excalibur? Who stabbed a one-eyed man-eating giant? Where do Jataka tales come from? Was the “Trojan horse” really a horse? In Legends, Myths, and Folktales, you’ll discover answers to these questions and many more. Through pictures, articles, stories, and fun facts, you’ll learn about the exciting, magical tales that have entertained us for centuries, taught us right from wrong, and explained the many mysteries of the world.
This critical study of Hardy's short stories provides a thorough account of the ruling preoccupations and recurrent writing strategies of his entire corpus as well as providing detailed readings of several individual texts. It relates the formal choices imposed on Hardy as contributor to Blackwood's Magazine and other periodicals to the methods he employed to encode in fiction his troubled attitude towards the social politics of the West Country, where most of the stories are set.
Added by: Maria | Karma: 3098.81 | Other | 23 October 2008
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Like Star Wars or The Lord of the Rings or the fictional Old West or feudal Japan in samurai films, classical mythology consists not only of a corpus of stories but also of a world, one with a geography and a history as well as relationships and rules and narrative conventions. Whereas most works on classical mythology focus their attention on the stories, neglecting the world in which they are situated, the present book explores both elements in an effort to give each its due. The result is a sort of ethnography of the imaginary.