The Carolingians in Central Europe, Their History, Arts and Architecture - A Cultural History of Central Europe 750 - 900
This book presents an historical overview of the Frankish realms in Central Europe during the Carolingian period. Against this background Part II of the book examines the cultural inventory deposited by the scribal culture in Central Europe as represented by manuscripts, crystals, ivories and gem encrusted liturgical art. Part III deals with such examples of Carolingian wall painting and architecture as are still evident in Central Europe. Though some examples are derivative, many are original. Black and white illustrations generally serve the representation of architecture.
The Late Medieval Ages of Crisis and Renewal 1300 - 1500 - A Biographical Dictionary
Offers concise yet scholarly information on the great cultural figures of late medieval and early Renaissance Europe. These two biographical dictionaries introduce Greenwood's interdisciplinary series, Great Cultural Eras of the Western World. Each dictionary includes approximately 350 alphabetically arranged "biographical vignettes." The "culture" of the series title, according to Carney, denotes "those who made contributions to art and architecture, music, philosophy, religion, political and social thought, science, math, literature, history, or education."
Warped Space: Art, Architecture, and Anxiety in Modern Culture
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city.
The contributors to this highly original collection of essays explore the relationship between food and architecture, asking what can be learned by examining the (often metaphorical) intersection of the preparation of meals and the production of space. In a culture that includes the Food Channel and the knife- juggling chefs of Benihana, food has become not only an obsession but an alternative art form. The nineteen essays and Gallery of Recipes in Eating Architecture seize this moment to investigate how art and architecture engage issues of identity, ideology, conviviality, memory, and loss that cookery evokes.
Thomas Holden presents a fascinating study of theories of matter in the seventeenth and eighteenth centuries. These theories were plagued by a complex of interrelated problems concerning matter's divisibility, composition, and internal architecture. Is any material body infinitely divisible? Must we posit atoms or elemental minima from which bodies are ultimately composed? Are the parts of material bodies themselves material concreta? Or are they merely potentialities or possible existents? Questions such as these - and the press of subtler questions hidden in their amibiguities - deeply unsettled philosophers of the early modern period.
