A classic work that offers the reader an ideal overview of the ideas that marked out Read as a seminal and hugely influetial figure in the cultural life of the twentieth century.
Modernity in Spanish America has been viewed by a 'postmodern' cultural studies as a condition of the first half of the twentieth century whose major political, philosophical and cultural assumptions the region would do well to leave behind. This book explores a corpus of Spanish-American literary texts from that 'modern' period which dramatize the constitutive dynamics of modernity, in particular the legacy of the French Revolution, the logic of nationalism, the founding of the modern city, and the awkward relationship to both Western and indigenous traditions. Its argument is that one cannot so easily take leave of modernity.
International online access has grown rapidly in recent years with the number of global Internet users skyrocketing. The most astounding growth, however, is taking place in developing nations. Linguistic and Cultural Online Communication Issues in the Global Age provides readers with in-depth information on the various linguistic, cultural, technological, legal, and other factors that affect interactions in online exchanges within the global age.
She was the most peculiar common denominator that society, literature, art and radical revolutionaries ever found in New York and Europe.So claimed a Chicago newspaper reporter in the 1920s of Mabel Dodge Luhan, who attracted leading literary and intellectual figures to her circle for over four decades. Not only was she mistress of a grand salon, an American Madame de Stael, she was also a leading symbol of the New Woman: sexually emancipated, self-determining, and in control of her destiny. In many ways, her life is the story of America's emergence from the Victorian age.Lois Rudnick has written a unique and definitive biography that examines all aspects of Mabel Dodge Luhan's real and imagined lives, drawing on fictional portraits of Mabel, including those by D. H. Lawrence, Carl Van Vechten, and Gertrude Stein, as well as on Mabel's own voluminous memoirs, letters, and fiction. Rudnick not only assesses Mabel as muse to men of genius but also considers her seriously as a writer, activist, and spirit of the age.
This biography will appeal not just to cultural historians but to any woman who has loved and lived with men who are artists and rebels. Both as a liberated woman and as a legend, Mabel Dodge Luhan embodies the cultural forces that shaped modern America.
Rodriguez looks at the Matachines dance as it is performed in two areas along the U.S./Mexico border. She discusses at great length the different structures, presentations, and meanings of this ritual procession dance to the people of these two areas, as well as examinig the Matachines' cultural background. Other books on Matachines contain similar information, but most stop short of the depth and precision of Rodriguez's work. Matachines is an old and extremely complex art form, and Rodriquez successfully tackles the task of discussing days' worth of variations in costume, execution, characterization, and finally the attitudes and beliefs of individuals in both communities towards their cultural dance. The many photographs work well to demonstrate and enhance Rodriguez's findings.
