Of the many charges laid against contemporary literary scholars, one of the most common—and perhaps the most wounding—is that they simply don't love books. And while the most obvious response is that, no, actually the profession of literary studies does acknowledge and address personal attachments to literature, that answer risks obscuring a more fundamental question: Why should they?

Throughout history, linguists and literary scholars have been impelled by curiosity about particular linguistic or literary phenomena to seek to observe them in action in original texts. The fruits of each earlier enquiry in turn nourish the desire to continue to acquire knowledge, through further observation of newer linguistic facts. As time goes by, the corpus linguist operates increasingly in the awareness of what has gone before. Corpus Linguistics, thirty years on, is less an innocent sortie into corpus territory on the basis of a hunch than an informed, critical reassessment of existing analytical orthodoxy, in the light of new data coming on stream.

Australian Literature: Postcolonialism, Racism, Transnationalism

The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English.

From the moment that Watership Down made its appearance on screen in season one, speculation about Lost's literary allusions has played an important role in the larger discussion of the show. Fans and critics alike have noted the many references, from biblical passages and children's stories to science fiction and classic novels.
Literary Lost teases out the critical significance of these featured books, demonstrating how literature has served to enhance the meaning of the show. It provides a fuller understanding of Lost and reveals how television can be used as a tool for stimulating a deeper interest in literary texts.

In The Companion to Keats, leading scholars discuss Keats's work in several fascinating contexts: literary history and key predecessors; Keats's life in London's intellectual, aesthetic and literary culture; the relation of his poetry to the visual arts; the critical traditions and theoretical contexts within which Keats's life and achievements have been assessed. These specially commissioned essays examine Keats's specific poetic endeavours, his striking way with language, and his lively letters as well as his engagement with contemporary cultures and literary traditions, his place in criticism, from his day to ours, including the challenge he poses to gender criticism.