Review:
In his preface, the author does a good job of explaining what he set out to do in this book; then, in the rest of the book, he does a good job of doing it! Stein has attempted to present examples of real mathematical reasoning that (unlike some of the most beautiful parts of math) DON'T require any math background to understand or appreciate--and in my opinion, he succeeds brilliantly. If you love a well-reasoned, clearly explained argument but never even took algebra or geometry, you will enjoy this book. On the other hand, even mathematically sophisticated readers are likely to find some things here that they hadn't seen before, so they should enjoy the book too.

Knowing the rules of grammar never goes out of style.
Now readers can brush up on their writing skills with just one book. This guide covers the gamut of grammar and style topics, including nouns and pronouns; tense, mood, and voice as expressed through verbs; subject and verb agreement in complete sentences; commas, colons, and semicolons; ellipses and other marks; parenthesis and brackets; capitalization; numbers and signs; spelling; abbreviations; and much more.

—Ideal for both native speakers and those learning English as a second language
—Encyclopedic approach
—Features thumbtabs and other navigation aids

This book examines in detail the following five English constructions, and elucidates the syntactic, semantic, and functional requirements that the constructions must satisfy in order to be appropriately used: the There-Construction, the (One’s)Way Construction, the Cognate Object Construction, the Pseudo-Passive Construction, and the Extraposition-from-Subject-NP Construction. It shows that syntactic claims based on the unergative–unaccusative distinction of intransitive verbs that have been made by other scholars about these constructions do not hold.

Product Description:

Overt subjects are usually considered as a property of finite clauses. However, most Romance languages permit specified subjects in a broad range of infinitive constructions. Guido Mensching analyzes this phenomenon in stages of French, Italian, Spanish, Portuguese and other Romance varieties.

Bod is an unusual boy who inhabits an unusual place-he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their timely ghostly teachings-like the ability to Fade. Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead? And then there are things like ghouls that aren't really one thing or the other. This chilling tale is Neil Gaiman's first full-length novel for middle-grade readers since the internationally bestselling and universally acclaimed Coraline. Like Coraline, this book is sure to enchant and surprise young readers as well as Neil Gaiman's legion of adult fans.