P. D. James examines the genre of detective fiction from top to bottom, beginning with the mystery plots at the hearts of such novels as Great Expectations and Jane Eyre, and bringing us firmly into the present with such writers as Amanda Cross and Henning Mankell. Along the way she writes about Arthur Conan Doyle, Dorothy L. Sayers, Agatha Christie, Edgar Allan Poe, Wilkie Collins, and Josephine Tey, among many others. She traces the facts of their lives into and out of their work; clarifies their individual styles; and gives us indelible portraits of the characters they've created...
Added by: Au_claire | Karma: 26.92 | Fiction literature | 8 January 2011
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Cecily von Ziegesar - Gossip Girl
The Gossip Girl series is the ultimate in glamour and cool - set in New York's glamorous Upper East Side the narrative follows the thrills and spills (with Jimmy Choo shoes and shopping at Barneys mixed in along the way) of its richest and most beautiful teenage residents Serena van der Woodsen, Blair Waldorf, Nate Archibald and others. 'Gossip Girl' is the ultimate in sophistication, scandal and luxury. The book has the effect of gossip itself - once you enter it's hard to extract yourself...
What was the nude, recently slain body of Kaithlin Jordan doing spoiling the pristine turquoise waters of Miami Beach — especially when the dead socialite's convicted killer husband is sitting on Death Row for having murdered her...ten years ago! Reporter Britt Montero lives for this kind of story. But she may die for this one as well. Because each question raises many others — and every hard-won answer reveals secret passions and explosive truths that could doom an overly inquisitive journalist with a tendency to leap before she looks.
Camera Obscura Camera Lucida - Essays in Honor of Annette Michelson
Annette Michelson’s contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson’s work itself. All in some way pay homage to her extraordinary contribution.
This book is based on Williamson's discovery of A Course in Miracles , a self-help guide whose provenance she doesn't explain. Age 26 at the time and feeling lost and desperate after indulging in the excesses of the 1960s, the Jewish author had no real hope for inspiration from the course . But, she writes in this guide to the guide, the program works "miracles" for herself and for others who adopt its principles. Her extrapolations may appeal to readers in need of spiritual sustenance, but one questions Williamson's advice to the gravely ill.
