On Bosworth field in 1485 the feud that had caused bloodshed and battle for three decades came to an end. The victor was the last hope of the Lancastrians, Henry Tudor. In this book, you'll get the full picture of how Henry's Tudor dynasty cemented its place in history, from the red-soaked fields of the War of the Roses, to the string of Tudor monarchs, to what everyday life was like for the lowly population. Packed with beautiful illustrations and insights into the period, this is the perfect guide for anyone who wants to expand their knowledge of the most legendary period of English history.

Between 1660 and 1820, Great Britain experienced significant structural transformations in class, politics, economy, print, and writing that produced new and varied spaces and with them, new and reconfigured concepts of gender. In mapping the relationship between gender and space in British literature of the period, this collection defines, charts, and explores new cartographies, both geographic and figurative. The contributors take up a variety of genres and discursive frameworks from this period, including poetry, the early novel, letters, and laboratory notebooks written by authors ranging from Aphra Behn, Hortense Mancini, and Isaac Newton to Frances Burney and Germaine de Stael.

Eleven major scholars of the Anglo-Saxon period consider Alfred the Great, his cultural milieu, and his achievements. With revised or revived views of the Alfredian revival, the contributors help set the agenda for future work on a most challenging period.

A decade after the Restoration of Charles II, a disturbing group of tragedies, dubbed by modern critics the horror or the blood-and-torture villain tragedies, burst onto the London stage. Ten years later they were gone-absorbed into the partisan frenzy which enveloped the theatre at the height of the Exclusion Crisis. Despite burgeoning interest, until now there has been no full investigation into why these deeply unsettling plays were written when they were and why they so fascinated audiences for the period that they held the stage. The author's contention is that the genre of horror gains its popularity at times of social dislocation.

The first major battle over school choice came out of struggles over equalizing and integrating schools in the civil rights era, when it became apparent that choice could be either a serious barrier or a significant tool for reaching these goals. The second large and continuing movement for choice was part of the very different anti-government, individualistic, market-based movement of a more conservative period in which many of the lessons of that earlier period were forgotten, though choice was once again presented as the answer to racial inequality.