English Romantic Poetry (Bloom's Period Studies)

From Blake to Coleridge, and Wordsworth to Shelley, this volume provides a critical overview on the poets who defined the English Romantic period. This title, English Romantic Poetry, part of Chelsea House Publishers' Period Studies series, features a selection of critical essays analyzing the writers and works that defined English Romantic Poetry. In addition to a chronology of the important cultural, literary, and politcal events that shaped this period, this text includes an introduction and editor's note written by Harold Bloom, Sterling Professor of the Humanities, Yale University.

 

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Poetry (SparkCharts)

2004 Ed.—created by Harvard students for students everywhere—serve as study companions and reference tools that cover a wide range of college and graduate school subjects, including Business, Computer Programming, Medicine, Law, Foreign Language, Humanities, and Science. Titles like How to Study, Microsoft Word for Windows, Microsoft Powerpoint for Windows, and HTML give you what it takes to find success in school and beyond. 

The Cambridge Companion To Contemporary Irish Poetry

'... for those of us teaching Irish poetry who have wished for a collection of essays that introduces students to the major themes of the twentieth century as we understand them today, this Companion will not disappoint.' Irish Studies

 

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The Cambridge Companion to the Brontës

Essays by leading scholars explore the lives and tragic early deaths of the three Brontë sisters. They set two of the greatest novels of the nineteenth century :Charlotte's Jane Eyre and Emily's Wuthering Heights, in the context of the other prose and poetry of the sisters, and trace the reputation of the Brontës through history. A detailed chronology and guides to further reading are included.

Rumi: The Book of Love: Poems of Ecstasy and Longing

The Sufi mystic Rumi has sold more than half a million volumes of his poetry-no small feat, considering that he lived in the 13th century. In this collection, poet Coleman Barks offers a funny, iconoclastic preface in which he attempts to tease out the reasons for Rumi's contemporary renaissance. He also warns readers that what follows will not be a pretty, happy book of love poetry: "This is not Norman Vincent Peale urging cheerfulness, conventional morality, and soft-focus, white-light, feel-good...New Age tantric energy exchange. This is giving your life to the one within that you know as LORD, which is a totally private matter." Rumi, he writes, is not the stuff of greeting cards.