Distressed over the current widespread disinterest in matrimony among their eminently marriageable offspring, the formidable matriarchs of the ton have taken matters into their own meddling hands with the formation of The Ladies' Society for the Betterment of the Future of Britain. Their first challenge: the Earl of Pennington.
Identical twins, sensible Delia and mischievous Cassandra Effington were the most delicious debutantes to ever waltz across a London ballroom. They looked alike in every way...but no one ever expected Delia to be the one to get into trouble... How did this young lady's reputation become so questionable? Once she was lovely, respectable Miss Delia Effington, but an impulsive decision -- and subsequent disaster -- forces Delia to retire from society. Until one night, desperate for diversion, she attends a ball as her twin sister and finds herself dancing in the strong arms of the dashing Viscount St. Stephens.
Distressed over the current widespread disinterest inmatrimony among their eminently marriageable offspring, the formidable matriarchs of the ton have taken matters into their own meddling hands with the formation of The Ladies' Society for the Betterment of the Future of Britain. Their first challenge: the Earl of Pennington.
Dido's Daughters - Literacy, Gender and Empire in Early Modern England
Winner of the 2004 Book Award from the Society for the Study of Early Modern Women and the 2003 Roland H. Bainton Prize for Literature from the Sixteenth Century Society and Conference. Our common definition of literacy is the ability to read and write in one language. But as Margaret Ferguson reveals in Dido's Daughters, this description is inadequate, because it fails to help us understand heated conflicts over literacy during the emergence of print culture. The fifteenth through seventeenth centuries, she shows, were a contentious era of transition from Latin and other clerical modes of literacy toward more vernacular forms of speech and writing.
A Woman of No Importance is a play by Irish playwright Oscar Wilde. The play premièred on 19 April 1893 at London's Haymarket Theatre. It is a testimony of Wilde's wit and his brand of dark comedy. It looks in particular at English upper class society and has been reproduced on stages in Europe and North America since his death in 1900.
