"Comedy: American Style", Jessie Redmon Fauset's fourth and final novel, recounts the tragic tale of a family's destruction - the story of a mother who denies her clan its heritage. Originally published in 1933, this intense narrative stands the test of time and continues to raise compelling, disturbing, and still contemporary themes of color prejudice and racial self-hatred. Several of today's bestselling novelists echo subject matter first visited in Fauset's commanding work, which overflows with rich, vivid, and complex characters who explore questions of color, passing, and black identity.

While building the Virgin Group over forty years, Richard Branson has never shied away from seemingly outlandish challenges that others (including his own colleagues on several occasions) considered sheer lunacy. He has taken on giants like British Airways and won, and monsters like Coca-Cola and lost.
Now Branson gives an inside look at his strikingly different swashbuckling style of leadership. Learn how fun, family, passion, and the dying art of listening are key components to what his extended family of employees around the world have always dubbed (with a wink) the “Virgin Way.”

A FRESH, FUNNY, UP-CLOSE LOOK AT HOW SOUTH KOREA REMADE ITSELF AS THE WORLD’S POP CULTURE POWERHOUSE OF THE TWENTY-FIRST CENTURY
By now, everyone in the world knows the song “Gangnam Style” and Psy, an instantly recognizable star. But the song’s international popularity is no passing fad. “Gangnam Style” is only one tool in South Korea’s extraordinarily elaborate and effective strategy to become a major world superpower by first becoming the world’s number one pop culture exporter.

Also cited as GPO Style Manual. Issued by the Public Printer under authority of Section 1105 of Title 44, United States Code. Designed to achieve uniform word and type treatment and economy of word use in the form and style of Government printing.

In Masculine Style: The American West and Literary Modernism, Daniel Worden argues for the importance of “cowboy masculinity,” as dramatized in late nineteenth-century dime novels, to the writings of Willa Cather, Ernest Hemingway, Nat Love, Theodore Roosevelt, John Steinbeck, and Owen Wister.