In recent years the marginal position which has defined translators and their texts has come under increasing and sustained challenge. However, although translation and subjectivity has been thoroughly considered in terms of post-colonialism and post-structuralism, there are few discussions which focus specifically on the construction of "Englishness" through vernacular translation. Using a range of theoretical approaches the five essays in this volume aim to realise such an understanding of translation by critically analyzing the cultural and political implications of translation and the construction of English subjectivities at particular historical moments.
This book collects the contributions presented at the international congress held at the University of Bologna in January 2007, where leading scholars of different persuasions and interests offered an up-to-date overview of the current status of the research on linguistic universals. The papers that make up the volume deal with both theoretical and empirical issues, and range over various domains, covering not only morphology and syntax, which were the major focus of Greenberg’s seminal work, but also phonology and semantics, as well as diachrony and second language acquisition.
This volume, intended both for advanced students and scholars of linguistics, traces the many strands of study in the field of word formation that have developed since the seminal work of Marchand and Lees in the 1960s. In mapping the state of the art in the field of word formation, it avoids a biased approach by presenting different, but mutually complementary frameworks within which research into word formation has taken place. It covers the historical development of theories of word formation within generative grammar, and affords a solid introduction to the treatment of word formation in cognitive grammar, natural morphology, optimality theory, Lexeme Morpheme Base Morphology, onomasiological theory, and other recent frameworks.
This historical account achieves its basic aim of demonstrating that, with the exception of quite recent history, technology has always influenced science, not the other way round.
This unusual work enables students to understand some large-scale patterns in history and the ways in which investigations into nature fit into those patterns.
This interdisciplinary collection explores the ability of Old French fabliaux to disrupt the literal and figurative bodies with which they come into contact. Essays in this volume address theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that result from this literary body's unsettling capacity. . .
