Theatre and the World bravely challenges much of today's "multicultural" theatre movement by calling attention to the post-colonial contradictions and immediacies of theatres in India. He shows how "traditions" have, in fact, been invented in the Indian theatre, and offers an inspiring alternative to this official culture in his radical reading of "traditional performance" and in his documentation of the grass-roots cultural activity of Ninasam, which, although based in the tiny village of Heggodu in Karnataka, still maintains links to the diverse cultures of the world.